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Research Interests

My primary field is early modern literature, and my work has developed along two related lines. The first is adaptation, appropriation, and translation, with a focus on Russian engagements with Shakespeare from the mid-eighteenth century into the twenty-first. The second returns to the early modern stage itself, where I am interested in the political mechanisms that literary texts dramatize. Running through both is a longstanding interest in irony and allegory, particularly in the moments when a work acknowledges its own construction and, in doing so, unsettles what it seemed to be saying.

Publications

Comparative Drama, forthcoming

“He Is God, Not Man”: Succession, Tyranny, and Courtly Devotion in Sumarokov’s Gamlet

Shakespeare, Volume 22, 2026 - Issue 1

Ross and the Politics of Witnessing in Macbeth: Shakespeare and Coen

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